Ambrogio Lorenzetti

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.


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Ambrogio Lorenzetti Madonna Enthroned with Angels oil


Madonna Enthroned with Angels
Painting ID::  52140
Madonna Enthroned with Angels
1340 Tempera on wood
1340_Tempera_on_wood
   
   
     

Ambrogio Lorenzetti Altarpiece of St Proculus oil


Altarpiece of St Proculus
Painting ID::  52141
Altarpiece of St Proculus
1332 Tempera on wood, 167 x 56 cm
1332_Tempera_on_wood,_167_x_56_cm
   
   
     

Ambrogio Lorenzetti St Michael oil


St Michael
Painting ID::  52143
St Michael
1330-35 Tempera on wood, 110,5 x 94,5 cm
1330-35_Tempera_on_wood,_110,5_x_94,5_cm
   
   
     

Ambrogio Lorenzetti Madonna of Vico l'Abate oil


Madonna of Vico l'Abate
Painting ID::  52355
Madonna of Vico l'Abate
1319 Tempera on wood, 148,5 x 78 cm
1319_Tempera_on_wood,_148,5_x_78_cm
   
   
     

Ambrogio Lorenzetti St. Nikolaus-barmhartighetsgarning oil


St. Nikolaus-barmhartighetsgarning
Painting ID::  53654
St. Nikolaus-barmhartighetsgarning
mk234 mk234 ca1332 30x20cm
mk234 mk234_ ca1332_ 30x20cm
   
   
     

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     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

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